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Songwriter Jerry Chesnut — a Nashville Songwriters Hall of Fame member whose compositions included “T-R-O-U-B-L-E” and “A Good Year For the Roses” — died Sunday at 87. | USA Today Network

Country songwriter Jerry Chesnut, dead at 87, wrote hits for Elvis, George Jones

SHARE Country songwriter Jerry Chesnut, dead at 87, wrote hits for Elvis, George Jones
SHARE Country songwriter Jerry Chesnut, dead at 87, wrote hits for Elvis, George Jones

Songwriter Jerry Chesnut — a Nashville Songwriters Hall of Fame member whose compositions included “T-R-O-U-B-L-E” and “A Good Year For the Roses” — died Sunday at 87.

The Kentucky native moved to Nashville in 1958 to pursue his songwriting career. It took nearly a decade for him to gain traction, when Del Reeves recorded his “A Dime at a Time” in 1967.

Through the late 1960s and ’70s, Chesnut wrote hits for Johnny Cash (“Oney”), Faron Young (“It’s Four in the Morning”), Porter Wagoner and Dolly Parton (“Holding on to Nothing”), Loretta Lynn (“They Don’t Make ‘Em Like My Daddy”) and Tammy Wynette (“The Wonders You Perform”), among others.

Chesnut retired in 1980, but his two most famous songs continued to find new life. “T-R-O-U-B-L-E” was originally a hit for Elvis Presley in 1975 (and one of several cuts Chesnut had with Presley) and once again climbed the country charts in 1992 with a version by Travis Tritt. The song’s famous chorus rhymed words by spelling them out.

I got to realizing, not (just) the words, every letter is rhyming …” Chesnut recalled in an interview for The Tennessean’s “Story Behind the Song” series in 2014.

“Everybody was asking me, ‘How in the world did you do that?’ And I said, ‘I don’t know. It just happened. That’s the way it was.’ ”

“A Good Year for the Roses” was a No. 2 country hit for George Jones in 1970. In 1981, a version by Elvis Costello (from his Nashville-made “Almost Blue” album) became a sizable hit in Britain.

“I had no idea who it was,” Chesnut said in 2014. “I found out later on. Back then, it made a lot of money. The first check we got in was $60,000, just for airplay in the British isles. I said, ‘What is this guy?’ They said, ‘He’s punk rock.’ I said, ‘Maybe that’s the direction I want to go in.’ “

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