‘Belushi’ documentary gets to the soul of the man
The movie, which opens the Chicago International Film Festival, profiles the great Chicago-born actor and singer with the help of animation, tapes of vintage interviews and even his personal letters to his wife.
John Belushi has been gone for more years than he was with us, but some 38 years after the 33-year-old actor and generational comedic life force died of a drug overdose, it’s nearly impossible to overstate the magnitude of Belushi’s stardom in the late 1970s and early 1980s, and the lasting impact he has had on the comedy world. And even though the Chicago-born and Wheaton-raised Belushi’s life story and legacy has been examined time and again, the documentary simply titled “Belushi” is a work of great value.
Showtime presents a documentary directed by R.J. Cutler. No MPAA rating. Running time: 108 minutes. Streaming at chicagofilmfestival.com from 7 p.m. Wednesday to Oct. 25. Available on Showtime beginning Nov. 22.
With this film, which opens the Chicago International Film Festival on Wednesday, director R.J. Cutler has fashioned arguably the definitive biography of Belushi, featuring a greatest hits collection of Belushi’s most memorable work; graphic novel-style animation of key moments from John’s childhood through his early stardom through the dark times, and a treasure trove of audio tapes from Judy Belushi’s collection, which had been sitting in the basement of her house on Martha’s Vineyard for years. We even get a glimpse of Belushi’s most personal moments, via handwritten letters he sent to Judy, who had been with him ever since they were sweethearts at Wheaton Community High School in the mid-1960s. Bill Hader does a brilliant job of voicing the letters; it’s not quite an imitation, but it really feels as if we’re hearing Belushi in his own words, whether he was sharing his hopes and dreams with Judy, compiling a list of things he needed to do in order to become a better man or, near the end, confessing, “I’m afraid I’m too far gone.”
Most of the interviews showcased in “Belushi” are from a collaboration between Judy and author Tanner Colby for an oral history about John, conducted within the first couple of years of Belushi’s death. This gives the soundbites a certain unfiltered level of immediacy, as the likes of Dan Aykroyd, Jane Curtin, Lorne Michaels and Chevy Chase talk about their undying admiration for Belushi’s talents, their love for a man with a huge heart — and the struggles and the setbacks. (Sadly, many of the interview subjects, including Harold Ramis, Carrie Fisher and Penny Marshall, have since passed as well.)
“Belushi” kicks off with footage of Belushi’s screen test for “Saturday Night Live.” Just a few years later, the Blues Brothers were performing before an adoring throng in Los Angeles in 1978. The recording of that performance would become the No. 1 album in the country, in the same year Belushi was starring on the white-hot “Saturday Night Live” and had stolen every scene in the mega-hit film “National Lampoon’s Animal House.” He was a triple-threat superstar who had conquered the showbiz world — and he was spiraling into a drug-fueled free fall.
“John always had appetites that were completely out of control, for everything,” says Harold Ramis, once his Second City castmate. “But I didn’t start to worry about him until he was at the Universal Amphitheatre, playing for 7,000 people. I looked at John on the stage and I thought, ‘He’s on the most popular comedy show of our generation, he was in the most successful comedy film ever, and now he’s onstage fronting an amazing band.’ My first thought was, ‘How great for him.’ My second thought was, ‘Knowing his appetites, I don’t think he’ll survive this.’ ”
We flash back to John’s childhood and high school years, illustrated in stunning fashion by animator Robert Valley. “Belushi” chronicles the moment when John took Judy to see a Second City show and told her afterward, “This is what I want to do.” In rapid fashion, John went from performing with his improv group, called The West Compass Players, to joining Second City to becoming a star with the National Lampoon’s Woodstock-parody stage show “Lemmings” and the National Lampoon Radio Hour — which led to “SNL.” Along the way, he would bond with Dan Aykroyd (who recalls, “We fell in love the moment we met … we saw the worth in each other right away for a great and enduring friendship”), establish a host of memorable characters on “Saturday Night Live” including Jake Blues, the Samurai and Pete Dionasopoulos of the Olympia Café, and enter into a dark embrace with booze, pot, cocaine and heroin. On and off camera, “John was just this big event,” says Carrie Fisher.
Director Cutler consistently finds just the right clips from Belushi’s films to mirror the chaos in his personal life, whether it’s a dozen Chicago Police cars crashing in the “Blues Brothers” or his character in “Neighbors” literally covered in mud and losing control. In March of 1982, Belushi was holed up at the Chateau Marmont in Los Angeles, lost in a fog of depression and addiction. Aykroyd remembers their last phone conversation: “He was sad and defeated. … I told him I was writing something great for us. … I was writing ‘Ghostbusters.’ … I thought I’ll finish this page, this paragraph and get out there … but I didn’t get there in time and I carry that with me forever.”
A short while later, Belushi was gone. In the span of less than a decade, he left a lifetime’s worth of memorable work — but just think of what he could have delivered in the years and decades to come.
The world premiere of “Belushi,” presented by the Chicago International Film Festival, begins at 6:30 p.m. Wednesday at the ChiTown Movies drive-in, 2343 S. Throop St. Tickets: chicagofilmfestival.com