Just because a movie franchise acknowledges it has become a wildly over-the-top cartoon doesn’t mean it’s a wildly over-the-top cartoon worth your money and 143 minutes (!) of your time. “F9: The Fast Saga” isn’t the worst entry in the long-running and popular “Fast & Furious” franchise, but it just might be the silliest and the loudest and the most ridiculous — and while that might well have been the filmmakers’ intention, it’s not a compliment.
A long time ago in a movie galaxy far in the distant past — the year 2001, to be exact — Vin Diesel and the late Paul Walker starred in “The Fast and the Furious,” a slick and entertainingly cheesy and relatively gritty film about an LAPD officer named Brian O’Conner (Walker) who goes undercover and befriends a legendary street racer named Dominic Toretto (Diesel), in an effort to apprehend a ring of hijackers who were stealing truckloads of … wait for it … DVD players and portable TVs with VHS players and digital cameras.
Flash-forward some 20 years and in “F9,” not only are the main players traveling in international espionage circles as if they’re in a “Mission: Impossible” movie and routinely engaging in death-defying stunts that would leave Spider-Man battered and bruised, we actually get a sequence involving a makeshift rocket ship fashioned out of a Pontiac Fiero flying through space in a last-ditch effort to save the world, and all of a sudden the rumors about a “Fast & Furious”/“Jurassic Park” crossover film don’t seem so ridiculous. Why not? Anything approaching real-world action has been left in the dust many moons and many movies ago.
With Justin Lin behind the camera for the fifth time (and the first since “Fast and Furious 6” in 2013), “F9” opens with a flashback sequence set in 1989, when a teenage Dominic Toretto (Vinnie Bennett) and his kid brother Jakob (Finn Cole) are working the pit crew when their father is killed in a fiery crash. That tragic event and Dom’s subsequent two-year prison sentence for beating the driver that killed their father were referenced in the first film — but we didn’t know about the brother until now.
Flash forward to the present, and little brother Jakob is now … John Cena! And not only that, but Jakob is still seething with resentment because Dom was daddy’s favorite, and he channeled all that get-thee-to-a-therapist angst into becoming a muscled-up international villain who is working with the standard-issue Eurotrash villain Otto (Thue Ersted Rasmussen) to obtain an object called the Tesseract, I mean Project Aries, which will allow them to control all the world’s computers and all the defense systems of every nation and blah blah blah, how many times have we seen THAT tired MacGuffin of a plot device?
Dom and his wife Letty (Michelle Rodriguez) and Dom’s young son are living the quiet life on a farm when their old running mates Tej (Ludacris), Roman (Tyrese Gibson) and Ramsey (Nathalie Emmanuel) come roaring up with news: They’ve received a cryptic message from Mr. Nobody (Kurt Russell) before his plane was shot down, and it appears as if the evil genius Cipher (Charlize Theron) is back in the picture, having been kidnapped by Otto, and it gets way more complicated than that.
The main deal is, Dom and Letty and eventually Dom’s sister Mia (Jordana Brewster) join the squad on a series of breakneck adventures that take them from London to Edinburgh to Central America to Tbilisi to a whole lot of green screen CGI as well. They outrun exploding mines, they traverse one of those wobbly movie bridges with Dom performing a slingshot move straight out of Warner Bros. cartoon, they use giant electromagnets that are strong enough to pull trucks across lanes of traffic (but somehow don’t mess up their own vehicles), and they get involved in all sorts of hand-to-hand combat action. At one point Dom wraps heavy chains around himself and pretty much collapses a building — a feat that would have the Hulk applauding.
Oscar winners Charlize Theron (as the aforementioned Cipher) and Helen Mirren (reprising her role as Queenie Shaw) have fun in very limited screen time; one imagines each spent about two days filming their respective parts. Another character from the past returns from the dead, and there’s a cheap celebrity cameo that just serves to further take us out of the movie. When the ever-bickering comedy duo of Roman and Tej don cheap astronaut get-ups and pilot that Fiero into space, “F9” is going strictly for the laughs and telling us: Yeah, we know this is insane too, let’s just have fun with it.
Like much of the film, it’s mildly entertaining, but then we get more of the tacked-on domestic drama, and the obligatory backyard barbecue where Dom reminds everyone there’s nothing more important than family. Just once at one of those get-togethers, I wish someone would raise a product-placement beer to the dozens of cops and other individuals who were collateral damage when Dom and his pals embarked on all those deadly high-speed chases. One presumes they had families too.