‘The Day The Music Died’: Don McLean shares his ‘American Pie’ recipe in thorough documentary

Paramount+ show focuses on not just the song’s origins but also the state of the nation at the time, and what those mysterious lyrics mean.

SHARE ‘The Day The Music Died’: Don McLean shares his ‘American Pie’ recipe in thorough documentary
GettyImages_1396965896.jpg

“American Pie” singer-songwriter Don McLean performs in May at the Ryman Auditorium in Nashville, Tennessee.

Jason Kempin/Getty Images

A long, long time ago, I can still remember

How that music used to make me smile

And I knew if I had my chance

That I could make those people dance

And maybe they’d be happy for a while …

If you’re of a certain age or you’re a student of pop music history, just reading those lyrics will likely drop Don McLean’s “American Pie” into the jukebox of your mind. You can already hear that lonely piano accompanying McLean’s plaintive lyrics, and you know exactly when the song kicks into the next level and you’re ready to sing along with one of the catchiest choruses of all time.

‘The Day the Music Died: The Story of Don McLean’s “American Pie” ’

Untitled

Paramount+ presents a documentary directed by Mark Moormann. No MPAA rating. Running time: 93 minutes. Available Tuesday on Paramount+.

McLean’s epic poem hit No. 1 on the Billboard pop charts in January of 1972 and has been part of the pop culture landscape ever since, selling millions of records worldwide; inspiring famous cover versions by Madonna and Garth Brooks, among others; becoming the centerpiece of a heartbreakingly effective mourning sequence on “Zoey’s Extraordinary Playlist,” and even serving as the title (with no other connection) for a series of raunchy comedies that became so huge that if you Google “American Pie,” the movie shows up first, the song second.

Come on, Google. Show some respect!

For decades, McLean has largely declined to get into the specifics of the much-studied, often misinterpreted lyrics to his iconic opus, but in the Paramount+ documentary “The Day the Music Died: The Story of Don McLean’s ‘American Pie,’ ” the 76-year-old singer-songwriter takes us through the genesis of his pop masterpiece, corrects a number of common misperceptions (“And while the king was looking down, the jester stole his thorny crown” had nothing to do with Bob Dylan or Elvis Presley) and provides invaluable context to one of the most enduring and original pieces of pop music ever composed.

Director Mark Moormann skillfully weaves McLean’s biography into a larger narrative about the often-intertwining paths of the social and political changes taking place in America and the music that often reflected and sometimes influenced the culture. It might seem a bit much for a single song to be the focus of a 90-minute documentary, but on the short list of songs that merit such extensive scrutiny, you’d have to include “American Pie.”

McLean talks about his upbringing in New Rochelle, New York, and his early days as a musician, and how he was impacted by the news of “The Day the Music Died,” i.e., Feb. 3, 1959, when a plane carrying Buddy Holly, Ritchie Valens and “The Big Bopper” J.P. Richardson crashed near Clear Lake, Iowa.

By the early 1970s, “The country was in an advanced state of psychic shock,” said McLean. “And so I said, I gotta have a big song about America. One day it all came out, like a genie out of a bottle. I knew I had a tiger by the tail.”

After a thorough and well-edited chronicle of the writing and recording of “American Pie” and its impact on the culture, we come full circle, with McLean playing the Surf Ballroom in Clear Lake — the same venue where Holly, Valens and Richardson performed their last show. In a lovely touch, McLean meets Connie Valens, Ritchie’s sister, who says, “You immortalized my brother, J.P. and Buddy. You took a terrible tragedy and made rock ’n’ roll history. Thank you.”


The Latest
He was vague when it came to the defense defaulting and quarterback Justin Fields faltering and presented a scenario in which everything’s mostly going the way it should behind the scenes even though every Sunday brings a fresh reckoning that reveals the opposite.
The stats back up what the eye test has shown since last year: Bears quarterback Justin Fields is one of the worst pocket passers in the NFL.
Republican members of the House Judiciary Committee plan to blame violent crime in Chicago on Cook County State’s Attorney Kim Foxx at a Tuesday forum at the city’s Fraternal Order of Police office.
Two men were found in an SUV belonging to Charles E. Hobson shortly after Hobson’s fatal shooting in the Auburn Gresham neighborhood Saturday morning, police said.
Soderblom’s cool, composed confidence — combined with his size and athleticism — has always excited the Hawks. This season, they’ll see how he fares as a full-time NHL goalie at last.