Catey Sullivan | For the Sun-Times

Actor Harry Lennix wears August Wilson’s persona with ease and grace. As he weaves together anecdotes from the playwright’s eventful life, the audience gets a direct look at the power within the man behind the pen.
Director/choreographer Dan Knechtges pushes the show to the outermost boundaries of broad comedy.
Nate Burger and Erik Hellman have a chemistry that crackles in Charles Newell’s staging, which plays up the meta-theatrics of Tom Stoppard’s absurdist take on Shakespeare.
The atmosphere is part after-hours St. Patrick’s Day celebration, part frat party, and — once the music starts — part cover-band concert.
Artistic director Susan V. Booth shapes a production of furious impact and impeccable ensemble work from the all-female, 13-strong cast.
Three women share the laughter and tears that come with surviving seven decades of all that life can dish out in Aurora Real de Asua’s drama.
In shaping this combination of dance concert/juke-box musical, director-choreographer Kate Prince uses everything from break dancing to ballet to tell the story of a family forced into a perilous journey.
American Blues Theater’s taut, troubling tale de-deifies a nearly mythic figure in U.S. history while giving voice to the millions the Founding Fathers didn’t include as equals.