Anna Netrebko withdraws from Metropolitan Opera over her support of Putin

The world-renown soprano opted to bow out rather than repudiate her support for Russian President Vladimir Putin, costing the company one of its top singers and best box-office draws.

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Russian soprano Anna Netrebko bows to the audience at the end of La Scala opera house’s gala season opener, Giacomo Puccini’s opera “Tosca,” on Dec. 7, 2019.

Russian soprano Anna Netrebko bows to the audience at the end of La Scala opera house’s gala season opener, Giacomo Puccini’s opera “Tosca,” on Dec. 7, 2019.

AP

NEW YORK — Soprano Anna Netrebko withdrew from her future engagements at the Metropolitan Opera rather than repudiate her support for Russian President Vladimir Putin, costing the company one of its top singers and best box-office draws.

“It is a great artistic loss for the Met and for opera,” Met General Manager Peter Gelb said in a statement Thursday. “Anna is one of the greatest singers in Met history, but with Putin killing innocent victims in Ukraine, there was no way forward.”

Gelb had said Sunday that the Met would not engage artists who support Putin.

Russian President Vladimir Putin, left, congratulates Russian opera singer Anna Netrebko after awarding her with the People’s Artist of Russia honor, during the 225th anniversary celebrations of the Mariinsky Theater in St. Petersburg, Russia, on Feb. 27, 2008.

Russian President Vladimir Putin congratulates Russian opera singer Anna Netrebko after awarding her with the People’s Artist of Russia honor, during the 225th anniversary celebrations of the Mariinsky Theater in St. Petersburg, Russia, on Feb. 27, 2008.

AP

The Met made repeated efforts in recent days attempting to convince Netrebko to repudiate Putin but failed to persuade her, a person familiar with the developments said, speaking on condition of anonymity because that detail was not announced.

The Met’s decision followed the collapse of the international career of Russian conductor Valery Gergiev, who has been close to Putin as artistic and general director of the Mariinsky in St. Petersburg.

The invasion of Ukraine has led to a show of solidarity in the arts and culture world with Ukrainians and a backlash against the Russian government and those with ties to it that won’t reject Putin’s actions. The ripple effects have also reached the international sports world.

Netrebko, a 50-year-old from Krasnodar, received the People’s Artist of Russia honor from Putin in 2008.

She was photographed in 2014 holding a Novorussian flag after giving a 1 million ruble donation (then $18,500) to the opera hose in Donetsk, a Ukrainian city controlled by pro-Russia separatists.

On Tuesday, Netrebko withdrew from all her upcoming performances. Her next listed performance was at Barcelona’s Gran Teatre del Liceu on April 3, followed by three concerts with her husband, Azerbaijani tenor Yusif Eyvazov, and an April 13 concert with the Berlin Philharmonic.

“I am opposed to this senseless war of aggression and I am calling on Russia to end this war right now, to save all of us. We need peace right now,” she said. “This is not a time for me to make music and perform. I have therefore decided to take a step back from performing for the time being. It is an extremely difficult decision for me, but I know that my audience will understand and respect this decision.”

There was no immediate response from Netrebko to Gelb’s announcement.

Netrebko made her Met debut on Feb, 14, 2002, in Prokofiev’s “War and Peace” and quickly became a house favorite. She has appeared in 192 performances at the house, the last a New Year’s Eve gala she starred in on Dec. 31, 2019.

Netrebko will be replaced by Ukrainian soprano Liudmyla Monastyrska in Puccini’s “Turandot” for five performances from April 30 to May 14, including a May 7 performance broadcast to theaters worldwide. The Met said Netrebko also will be replaced as Elisabetta in Verdi’s “Don Carlo” for five performances from Nov. 3-19.

Netrebko is no stranger to Chicago stages, having performed at Lyric Opera both in operas and recitals over the years.

The Met also said it would construct its own sets and costumes for next season’s new production of Wagner’s “Lohengrin” rather than share them with Moscow’s Bolshoi Opera, as originally planned.

Gergiev was fired this week as chief conductor of the Munich Philharmonic, and the Gergiev festival, an annual event since 1996, was canceled by the Rotterdam Philharmonic Orchestra, where he was principal guest conductor from 1995 to 2008. He also was dropped by the Vienna Philharmonic, the Edinburgh Festival in Scotland and Milan’s Teatro alla Scala.

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