Stained glass removed from century-old church, preservationists allege, despite landmarking recommendation

The preliminary recommendation was supposed to prevent removal of the stained glass.

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Details of the stained glass window above the altar at St. Adalbert Church taken in 2023 by researchers from Poland studying the cultural patrimony of Polish immigrants in the Midwest.

A photo taken this year by researchers from Poland details the stained-glass window above the altar at St. Adalbert Church.

From Polish Heritage 3D, a project to digitize Polish cultural artifacts in the U.S.

Right after celebrating new city protections for a century-old church, preservationists claim some of the building’s storied stained glass was removed anyway, in apparent disregard for those protections.

The church, St. Adalbert, 1650 W. 17th St., has been at the heart of a contentious fight between preservationists and the Archdiocese of Chicago since it closed in 2019. Tensions over the iconic Pilsen church arose in early August over the archdiocese removing its stained glass.

That work prompted the city’s Landmark Commission to hold a special meeting Aug. 7 to give it a preliminary landmark recommendation, an early step in the landmarking process with the same protections as an official landmark designation.

“The preliminary recommendation is moving forward to help ensure the complex’s significant features are preserved,” a city spokesperson said then.

On Tuesday and Wednesday of last week, several preservationists said they saw contractors continue to remove stained glass from the building despite the new protections.

Asked about the removal of the stained glass, the archdiocese on Monday emailed a statement, “We have no new information since our last statement last week.”

That statement, on Aug. 7, said the archdiocese had no comment in response to an inquiry about the landmarking recommendation.

A statement on Aug. 3 in response to the archdiocese initially removing the glass read: “The parish owns the glass and the glass will be preserved.”

The archdiocese has cited vandalism as the initial reason for removing the glasswork.

Much of the building’s glasswork was done by the studio of German artist F. X. Zettler, according to the Chicago Architecture Center. Zettler was famous for winning first place over Louis Comfort Tiffany for his stained glass designs at the 1893 World’s Fair.

The rose window and the intricate window above the altar remain in place, but a group of former parishioners and Polish cultural historiansalleged that the archdiocese removed windows from the nave of the church.

Doing so after the preliminary recommendation would require a permit. The city’s Department of Buildings did not respond to repeated requests for comment on whether it had approved permits for the work. None appeared in its online database.

The church was built by Polish immigrants and has become a particular concern for Polish cultural historians. Andy Dobak, 46, a Polish immigrant, said he was one of those who saw contractors remove the glasswork. He said he couldn’t “understand the greed.”

Details of stained-glass windows taken in 2023 by researchers from Poland studying the cultural patrimony of Polish immigrants in the Midwest.

This photo of stained-glass windows at St. Adalbert was taken this year by researchers from Poland.

Polish Heritage 3D

Michael Loria is a staff reporter at the Chicago Sun-Times via Report for America, a not-for-profit journalism program that aims to bolster the paper’s coverage of communities on the South Side and West Side.

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